Forming part of a regular series of screenings from his extensive video collection, Emile Stipp will present Candice Breitz’s Factum Tremblay at The Bioscope Independent Cinema in inner city Johannesburg. The Factum series as a whole is a sequence of in-depth video portraits of twins – and one set of triplets – that extends Breitz’s ongoing interest in doubling, portraiture and identity. The public screening coincides with the Art Week Joburg 2015 and takes place at the Bioscope Independent Cinema, 286 Fox St on 6 September 2015 at 3pm.
Take Out the Trash, . Navy Style
Another plausible explanation for the saying is brought you by the . Navy’s Allowance Type (AT) coding system that was used to identify and classify the status of inventory. The code AT-6 was assigned to inventory that was designated for disposal, specifically after World War II as the Navy decommissioned many of its warships and went through the process of cleaning out its storerooms where they kept spare parts. During this process, any parts that were labeled AT-6 were considered trash and thrown out. It is easy to see phonetically how this could result in the term “86” and the idea of throwing something away to become synonymous.
Ribot's earliest session work was featured on Tom Waits's Rain Dogs (1985) and helped define Waits's new musical direction.  Ribot worked with Waits on many of his following albums including Franks Wild Years (1987), Big Time (1988), Mule Variations (1999), Real Gone (2004), Orphans: Brawlers, Bawlers & Bastards (2006) and Bad as Me (2011). He has appeared on Elvis Costello's Spike (1989), Mighty Like a Rose (1991), and Kojak Variety (1995). Ribot has appeared on numerous recordings by John Zorn , including many of Zorn's Filmworks recordings, solo performances on Zorn's Masada Guitars (also featuring Bill Frisell and Tim Sparks ), and is a member of Zorn's Bar Kokhba Sextet and Electric Masada .